![]() NB: filter band soloing also respects the mid/side or left/right assignment of the filter node. Dragging filter nodes and altering Q works as normal in this mode so that you can make these adjustments whilst soloing. The soloing works differently for each filter type to accommodate what you may want to be listening for. To solo a band, hold click when hovering over the band node and hold shift down. Pressing the mouse button and moving vertically will increase or decrease the listening volume and you'll see a horizontal bar to tell you where the dB volume is. You'll see two boundary bars which specify the part of the audio spectrum that will be audible. For freeform mode, simply press shift and move the mouse around. This mode works either with selected bands or as a freeform listen function. Holding the left shift key down puts the EQ into solo/listen mode. The drawn view scales to fit the full window and when the mouse isn't hovering over the window the programs turns off distracting menus and node handles. The info box at the mouse cursor when over a node or in listen mode will show useful information such as the frequency of the mouse position or node (if hovering over one), the music note and cents, dB of mouse or filter, filter Q and filter slopes. ![]() Clicking on the top-right yellow EQ dB number will show a menu allowing to select the EQ range from 6dB - 30dB. ![]() When a filter node is in mid/side or left/right mode, some triangles are displayed around the node to give an indication of such. Options are: Disable/Enable, Invert gain, Select shape of filter, dB of slope (only for high/low pass filters), Stereo placement (mid/side, left/right), Split node which will split the node into mid/side or left/right and delete. Right click over a filter band node will bring up a menu. Command (Mac) or Ctrl (Windows) and mouse wheel hovering over a slope filter will adjust the slope dB. For other filter types, hovering over a node and using the mouse wheel will adjust the filters Q value. Low and high cut filters Q is altered by dragging the filter node. Double clicking on a filter band node will toggle enable/disable. Click on the filter band node and move mouse to alter its frequency and dB. Depending where the mouse x is on the spectrum you'll either create a high pass, low shelf, peak, high shelf or low pass filter. Double clicking in space creates a filter band node. The numeric values are altered by clicking on the button and dragging the mouse up or down. The buttons at the bottom are: Oversample mode, mid/side or left/right mode, the scale of the filter bands, total gain, mid/left gain, side/right gain. That's which spectrum to show (mid/side/left/right etc), whether to fill the spectrum or use lines, the ceiling and floor range, the tilt of the spectrum (it tilts around 1k freq), window type, window size and whether to show the spectrum as it was before the EQ affected it. The 'Settings' menu at the top allows various spectrum display settings to be adjusted. I find this much more useful for musical applications. The spectrum display type has a gradual decay effect (as used by many other commercial EQs). ReEQ supports filter low and high pass slopes ranging from 6dB to 96dB in increments of 6dB.Īlso provided are a range of other filters including Butterworth filters for steeper (but more resonant) slopes, tilt filter, a Pultec style shelf and analog channel style low and high pass filters.Įach filter band supports mid/side or left/right for control of the stereo field. These are the same zero delay filters used in Ableton's EQ8 which is well regarded for its high quality. The filter code itself is based on Andy Simper's (Cytomic) SVF filter algorithms. It supports a wide variety of filter shapes, high/low pass filters from 6dB to 96dB, mid/side and stereo per band, and oversampling (default) for filter curve shape preservation at high frequencies. It's highly transparent, ideal for both mixing and mastering. ReEQ is a sixteen-band high quality parametric equaliser.
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