If you have a version that has a plunge count with a built in "pause", set this for about forty or so, and don't cheat by not changing it when you hit the blade change prompt. Start with a new blade, and set your blade depth at about half the normal depth for the material you're cutting. I realize this isn't practical for those paying per corner unless you have a huge backlog of corners on tap. and this is only workable in some cases, is to do more than one pass. But even this font will usually give you "hooks" (compression points or spots showing blade flex) at the plunge, especially on black cores and Moorman suedes.ģ) The solution. no curves at all, and lots of "serifs" that take extra corners to cut. That's the style that looks like what you would see on a letterman's jacket. Expanding the horizontal aspect eases this some, but usually looks pretty poor by the time your cut gets good.Ģ) The only font which will cut every time, both inside and out, in most sizes without giving you major headaches is "Classic" under LetterMat. As a result, the blade flexes to ease the stress in the curve, digging deep on the regular/exterior cut, but cutting too shallow to allow the center to drop on the reverse/interior pass. most fonts get very skinny on the interior pass at the top and bottom. And keep in mind that your blade is flat and wants to cut straight, not curved. I do field calibrations and tune-ups on Wizards professionally (both 50 units), and have found some things that might be helpful.ġ) ANY font which has a tight upper and lower radius will carve deep on the regular bevel and shallow on the reverse. I'm new here, turned on to the Grumbler by "Mona" above. Kerry here, a CPF out of the Salem area of Oregon. I would love to answer more questions in detail (sorry, I always write a book ) if you like. While we do not have any current plans to change our support for TT fonts, we always welcome your specific feature ideas – especially where it can make a difference on your bottom line. To summarize, TT fonts have never been guaranteed and are included because some framers like to use some TT fonts. Even if we cut just 100 TT fonts at 1" and one aspect ratio times 26 letters and upper and lower, it’s still a significant task to test even a small number of TrueType fonts. ![]() ![]() 10,000 x 100 x 50 = at least 50,000,000 possibilities! By the way, aspect ratio matters because it can make even a big size font "skinny" which has sharp angles and small radius corners. Further, it is simply not possible to test all, or most, true type fonts (thousands) at all sizes (hundreds) and aspect ratios (tens). However, we do not certify TrueType fonts at all - at any size. Wizard creates and certifies LetterMat fonts at the normal aspect ratio (i.e., KAR) and a minimum size. If some of those framers are reading this, maybe they could share which TT fonts they use and what limits they found.įor fonts, we approach testing a bit differently. However, they still create great designs with some TT fonts. We cut them because many framers asked us to include TT fonts, even knowing we could not guarantee them. TT fonts were designed for printing, not cutting. To be sure, we have dedicated extensive test/quality assurance resources for installs, updates, features, CutArt, templates and lettermat fonts. I don't want anyone to feel they aren't getting complete answers or a complete understanding. Still, I wanted to jump in here to make sure you all get the bottom line about cutting fonts and perhaps answer some more questions. I rarely post because Dani and Customer Support do an awesome job of keeping up with your issues. I manage all software development at Wizard and am ultimately responsible for what cuts and what does not cut on the Wizard from software. Sometimes just changing the angle of an arc or adding a straight line will make it easier to cut. If you are having a specific problem with that letter, bring it into PathTrace to edit. Because of the complexity and the myriad number of these TTFs that Wizard did not create, Wizard cannot guarantee satisfactory results.īut, as stated earlier, bring in the most difficult letter you are trying to cut (usually the “S”). Wizard has offered the ability to cut TTFs to allow users access to different fonts/sizes/Wingdings, etc. Change the font, then click KAR to refresh the field to show you the minimum size of the new font. ![]() It will display the minimum size of this particular font. When you bring in a LetterMat, click on Properties. You can obtain fonts from many sources – I once purchased a CD with 10K fonts at Safeway. LetterMat is created by Wizard, while TTFs have a wide number of sources (they are the TTFs located in your /Windows/Fonts directory). There is a difference between LetterMat and TTF. After speaking with Mona just a few minutes ago, I wanted to clarify a few things.
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